If you could not do without f/2.8, you had to use the Nikon AF-S 24-70 mm f/2.8 E ED VR with the adapter from Nikon F to Nikon Z mount before the arrival of the Nikon Z 24-70 mm f/2.8. That combination is so much bigger than the new Nikon Z 24-70 mm f/2.8 S that just the difference in dimensions justifies the switch to the new lens.
Sony users have a Carl Zeiss branded 24-70mm f/2.8 as an alternative, which costs around £1460. Third party manufacturer, Sigma, also offer a 24-70mm f/2.8 for Canon, Nikon and Sony cameras. For an updated version of this lens with Vibration Reduction, see the Nikon 24-70mm f/2.8E VR. The Nikon 24-70mm f/2.8G features a versatile wide-angle to short-telephoto focal range, making it well suited for everyday shooting. The constant f/2.8 maximum aperture is good for low light conditions and a direct manual focus override gives you This is the DX equivalent of Nikon’s popular full-frame 24-120mm f/4. Both sport an equivalent 5x zoom range – very convenient for all-around photography. The 16-80mm has been bundled with the D500 as a kit, albeit a high-end DX kit. By itself, the 16-80mm boasts an MSRP of $1069.95. Ouch, for less than the 16-80mm alone you can currently Sony FE 24-70mm F2.8 GM vs. Canon EF 24-70mm f/2.8L II USM vs. Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR: Behind the class-leading Canon model In this comparison we’ve tested the Sony against the equivalent Canon and Nikon rival models.

Nikon's AF-S Nikkor 24-70mm f/2.8E ED VR includes vibration reduction, a feature that other f/2.8 zooms in this class, including rival Canon's venerable EF 24-70mm f/2.8L II USM ($1,599.00 at

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    • nikon 24 70mm f 2.8 e vr review